'The Eye of the Magic Forest'
‘… true knowledge, insight into appalling truth, preponderates over all motives inciting to action, in Hamlet as well as in the Dionysian man.
…
Here, in this extremest danger of the will, art approaches, as a saving and healing enchantress; she alone is able to transform these nauseating reflections on the awfulness or absurdity of existence into representations wherewith it is possible to live: these are the representations of the sublime as the artistic subjugation of the awful, and the comic as the artistic delivery from the nausea of the absurd’.
F. Nietzsche
‘… true knowledge, insight into appalling truth, preponderates over all motives inciting to action, in Hamlet as well as in the Dionysian man.
…
Here, in this extremest danger of the will, art approaches, as a saving and healing enchantress; she alone is able to transform these nauseating reflections on the awfulness or absurdity of existence into representations wherewith it is possible to live: these are the representations of the sublime as the artistic subjugation of the awful, and the comic as the artistic delivery from the nausea of the absurd’.
F. Nietzsche
‘… true knowledge, insight into appalling truth, preponderates over all motives inciting to action, in Hamlet as well as in the Dionysian man.
…
Here, in this extremest danger of the will, art approaches, as a saving and healing enchantress; she alone is able to transform these nauseating reflections on the awfulness or absurdity of existence into representations wherewith it is possible to live: these are the representations of the sublime as the artistic subjugation of the awful, and the comic as the artistic delivery from the nausea of the absurd’.
F. Nietzsche