Installation ‘Great Experience. Walking Through Realities' 2025
Installation ‘Great Experience. Walking Through Realities’
160×210 cm
Mixed media installation (burnt frames, leather boots, skirt, canvas with portraits — acrylic, metallic paint, used cleaning cloth)
‘Great Experience. Walking Through Realities. I’m Anael Now’ is a transformative installation that merges mythic lineage with intimate personal awakening. Composed of scorched frames, a pair of worn leather boots, a skirt, a paint-stained cloth, and a central canvas portraying King David, the embodiment of Freedom, and the Bearer of Light, this work becomes a sacred passageway through identity, time, and dimension.
Three burned frames form a trinity of legacy, rebellion, and divine guidance. They act as relics of what was — vessels once meant to preserve beauty, now sacrificed to the fire of renewal. Through these charred portals, King David emerges — a timeless figure crossing the threshold from the unseen into the present. One boot is affixed high on the frame, symbolizing the first step out of the metaphysical realm; the other is grounded below, rooted in this reality. He walks in the artist’s own boots — a poetic transference of story, weight, and will.
The skirt and the cloth used to wipe brushes during the creative process anchor the divine narrative in personal labor and lived experience. Traces of ritual, memory, and transformation are embedded in every material.
This installation is not merely an artwork — it is a crossing. A rite.
A declaration of arrival.
A becoming.
Installation ‘Great Experience. Walking Through Realities’
160×210 cm
Mixed media installation (burnt frames, leather boots, skirt, canvas with portraits — acrylic, metallic paint, used cleaning cloth)
‘Great Experience. Walking Through Realities. I’m Anael Now’ is a transformative installation that merges mythic lineage with intimate personal awakening. Composed of scorched frames, a pair of worn leather boots, a skirt, a paint-stained cloth, and a central canvas portraying King David, the embodiment of Freedom, and the Bearer of Light, this work becomes a sacred passageway through identity, time, and dimension.
Three burned frames form a trinity of legacy, rebellion, and divine guidance. They act as relics of what was — vessels once meant to preserve beauty, now sacrificed to the fire of renewal. Through these charred portals, King David emerges — a timeless figure crossing the threshold from the unseen into the present. One boot is affixed high on the frame, symbolizing the first step out of the metaphysical realm; the other is grounded below, rooted in this reality. He walks in the artist’s own boots — a poetic transference of story, weight, and will.
The skirt and the cloth used to wipe brushes during the creative process anchor the divine narrative in personal labor and lived experience. Traces of ritual, memory, and transformation are embedded in every material.
This installation is not merely an artwork — it is a crossing. A rite.
A declaration of arrival.
A becoming.
Installation ‘Great Experience. Walking Through Realities’
160×210 cm
Mixed media installation (burnt frames, leather boots, skirt, canvas with portraits — acrylic, metallic paint, used cleaning cloth)
‘Great Experience. Walking Through Realities. I’m Anael Now’ is a transformative installation that merges mythic lineage with intimate personal awakening. Composed of scorched frames, a pair of worn leather boots, a skirt, a paint-stained cloth, and a central canvas portraying King David, the embodiment of Freedom, and the Bearer of Light, this work becomes a sacred passageway through identity, time, and dimension.
Three burned frames form a trinity of legacy, rebellion, and divine guidance. They act as relics of what was — vessels once meant to preserve beauty, now sacrificed to the fire of renewal. Through these charred portals, King David emerges — a timeless figure crossing the threshold from the unseen into the present. One boot is affixed high on the frame, symbolizing the first step out of the metaphysical realm; the other is grounded below, rooted in this reality. He walks in the artist’s own boots — a poetic transference of story, weight, and will.
The skirt and the cloth used to wipe brushes during the creative process anchor the divine narrative in personal labor and lived experience. Traces of ritual, memory, and transformation are embedded in every material.
This installation is not merely an artwork — it is a crossing. A rite.
A declaration of arrival.
A becoming.